Erick Beltrán analyzes and reflects on the edition concept and the discourse constructions. He investigates the power that the different graphic means exert in their distribution of information, as well as explicit treatment on different conducts and values.
He works with diverse formats as the multiple or the book; he experiments and investigates the link between public art and the diverse graphic languages.
The archive, the museum and the library are tools and natural means in their investigation process. A process in which the edition concept focuses all the work, understanding it as the mechanism with which communication through images that create political, economical and cultural discourses in contemporary societies are defined, evaluated, classified and reproduced.
2020
Ink on paper
21 drawings of 71 x 74 cm (27 15⁄16 x 29 1⁄8 inches)
2016
Aluminum
65 x 70 x 50 cm (25 19⁄32 x 27 9⁄16 x 19 11⁄16 inches)
Manifold, 2022
Museum für Sepulkralkultur, Documenta fifteen, Kassel
Manifold, 2022
Museum für Sepulkralkultur, Documenta fifteen, Kassel
Manifold, 2022
Museum für Sepulkralkultur, Documenta fifteen, Kassel
Manifold, 2022
Museum für Sepulkralkultur, Documenta fifteen, Kassel
Manifold, 2022
Museum für Sepulkralkultur, Documenta fifteen, Kassel
No one - everyone, 2019
Barcelona Gallery Weekend
El sueño de Laocoonte, 2018
La Tallera, Cuernavaca, Morelos, México
Hephaestus’ Dream, 2015
TBA21, Vienna
Hephaestus’ Dream, 2015
TBA21, Vienna
Atlas Eidolon, 2014
Museo Tamayo, México
Ergo sum, 2006
CGAC, Santiago de Compostela
Ergo sum, 2006
CGAC, Santiago de Compostela
La part abyssale, 2012
La synagogue, Delme
Noeud Perikhorein, 2011
La sucrière, Bienale de Lyon
Drag
