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  • Francesco Arena
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  • Mercedes Azpilicueta
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  • The Late Estate Broomberg & Chanarin
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  • Juliana Cerqueira Leite
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  • Enric Farrés Duran
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  • Leandro Erlich
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  • Joseph Grigely
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  • Rubén Grilo
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  • Christopher Knowles
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  • Ana Mendieta
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  • Ester Partegàs
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  • Perejaume
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  • Wilfredo Prieto
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  • Shimabuku
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  • Antoni Tàpies
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  • Ignacio Uriarte
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  • Richard Wentworth
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Tiago Baptista

Marea Enmudecida

Apr 27 - Jun 16, 2023 Barcelona

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Wilfredo Prieto

El cosmos y la realidad

Apr 15 - Jun 10, 2023 Madrid

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Past

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Art Brussels

Apr 20 - Apr 23, 2023 Brussels Expo, Brussels

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ARCOmadrid

Feb 22 - Feb 26, 2023 IFEMA, Madrid

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Ana Mendieta

Search for Origin

Jun 3 - Sep 10, 2023
MO.CO. Panacée
Montpellier

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Shimabuku

Moon, Potato, Swan and Sounds

Jun 1 - Jul 21, 2023
Galeria Zero
Milan

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Joseph Grigely

In What Way Wham? (White Noise and Other Works, 1996-2023)

May 27 - Mar 17, 2024
MASS MoCA
Massachusetts

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Madrid

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Beneficencia, 18B
28004 Madrid


T: +34 915 06 34 84

Barcelona

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Carrer Isaac Peral, 7
08902 L'Hospitalet de Llobregat
Barcelona


T: +34 934 63 63 13

Open Menu logoNogueras Blanchard
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Mercedes Azpilicueta

La poeta Rixt y otras mujeres de Frisia [Rixt the poet and other Frisian women], 2022

Jacquard Textile (wool, lurex and cotton)


De Rebelse Lusthof deals with the long history of the Oranjewoud estate, initially recorded from a largely colonial perspective. Azpilicueta recreates this history by combining past and present, fiction and fact, and by making new comparisons and adding elements. The result is a revised historiography in which people and plants are intertwined, and in which women in particular play a much larger role than in traditional history of Oranjewoud.

Fruits and weeds, labour and leisure, chatelaines and knotted cloths, baroque and cosmic connections, field workers, literaries, poets, rebels and royals grow together anarchically at Mercedes Azpilicueta’s De Rebelse Lusthof (2022), a garden that may or may not have existed to tell its own story.

In this tapestry the poet Rixt Frisian appears as the central character. ‘Rixt’ is a pseudonym for Hendrika Akke van Dorssen. Amidst the back-then conservative literary landscape in Fryslân, Rixt published love verses and erotic lyrical poetry. Bell object used to give a signal of a working shift. This is the bell of the nineteenth-century country estate Oranjestein in Oranjewoud. It was used to signal the beginning and end of the working day with shifts lasting usually around 12 hours."

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