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Leandro Erlich (Buenos Aires, 1973) is the author of a work that uses the everyday to generate immersive experiences that alter the perception of reality, and is currently one of the Argentine visual artists with greatest international projection.

Through optical illusion, the artist configures a space that breaks our schemes and opens up endless avenues of interpretation.

Over the last two decades, Leandro Erlich has created a body of sculptures and large installations in which the architectural appearance of the everyday functions as a kind of perceptual trap: it leads the unsuspecting viewer into a visual paradox that defies the assumptions of the order and the rules of the material world. Erlich's installations threaten our temporal certainties, provoke the viewer by altering his physical reference points and lead him to stupefaction and confusion, forcing him to relativize his position between the real and the artificial, logic and image.

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Selected Works

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Lost Garden

2013

Wood, fluorescent tubes, artificial plants, metal structure, mirrors

360 x 280 x 180 cm (141 2332 x 110 14 x 70 78 inches)

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Staircase

2005

Installation

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Window and ladder

2008

Installation

270 x 570 x 330 cm (106 516 x 224 1332 x 129 2932 inches)

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Archaeological Storm

2013

MDF, metal structure, acrylic, 42" TV screen

121 x 90 x 12 cm (47 58 x 35 716 x 4 2332 inches)

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Window Captive Reflection

2013

MDF, metal structure, acrylic, 42" TV screen

121 x 100 x 25 cm (47 58 x 39 38 x 9 2732 inches)

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Neighbors

1996/2017

Metal frame, wooden door, formica, model

220 x 155 x 71 cm (86 58 x 61 132 x 27 1516 inches)

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The Classroom

2017

Wood, window, desk, chair, door, glass, light

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La punta - La democracia del símbolo

2015

Inkjet printing on Hahnemühle Textured William Turner paper

152 x 103 cm (59 2732 x 40 916 inches)

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Obelisco sin punta - La Democracia del Símbolo

2015

Inkjet printing on Hahnemühle Textured William Turner paper

152 x 103 cm (59 2732 x 40 916 inches)

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Silver boat

2019

Steel

140.5 x 52.5 x 18.5 cm (55 516 x 20 2132 x 7 932 inches)

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La Flèche

2018

Extra clear glass, ceramic ink digital printing, wooden wengue vitrine, led lights

199.5 x 205 x 81 cm (78 1732 x 80 2332 x 31 78 inches)

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Souris

2018

Extra clear glass, ceramic ink digital printing, wooden wengue vitrine, led lights

199.5 x 175 x 81 cm (78 1732 x 68 2932 x 31 78 inches)

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Traffic Jam (Order of Importance)

2018

Sand casted cars, plywood base

33 x 320 x 140 cm (13 x 125 3132 x 55 18 inches)

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Pulled by the roots (model)

2015

Cast resin, cast bronze, acrylic, print

70 x 34 x 34 cm (27 916 x 13 38 x 13 38 inches)

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Dalston House (model)

2013

Cast resin, mirror, wood, print,acrylic

100 x 60 x 53.5 cm (39 38 x 23 58 x 21 116 inches)

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Monte-Meubles - L´ultime déménagement

2013

Model

Installation

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La Torre, 2008
Museo Nacional Centro de Arte Reina Sofía, Madrid

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La Torre, 2008
Museo Nacional Centro de Arte Reina Sofía, Madrid

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Laundry, 2019
Setouchi Triennale, Megijima Community Area

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Liminal, 2019
Museo Malba, Buenos Aires

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Liminal, 2019
Museo Malba, Buenos Aires

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Leandro Erlich: Seeing and Believing, 2017
Mori Art Museum Tokyo, Tokyo

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Leandro Erlich: Seeing and Believing, 2017
Mori Art Museum Tokyo, Tokyo

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Leandro Erlich: Seeing and Believing, 2017
Mori Art Museum Tokyo, Tokyo

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Leandro Erlich: Seeing and Believing, 2017
Mori Art Museum Tokyo, Tokyo

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, 2018
Bon Marché Rive Gauche, Paris

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, 2017
Fundación Telefónica, Madrid

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Pulled by the roots, 2015
ZKM, Karlsruhe

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La Democracia del símbolo, 2015
Obelisco de Buenos Aires, MALBA, Buenos Aires

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Port of Reflections, 2014
MMCA, Seoul

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Port of Reflections, 2014
MMCA, Seoul

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Bâtiment, 2014
Nuit Blanche, Paris

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Swimming Pool, 2014
21th Century Museum of Contemporary Art, Kanazawa

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BUNNY SMASH design to touch the world, 2013
Museum of Contemporary Art Tokyo, Tokyo

Exhibitions

Estar a la lluna

Fonteta
Aug 07 - Sep 26, 2021

We’re delighted to present the second chapter of the joint project by Bombon, Galeria Joan Prats and NoguerasBlanchard, taking place in Fonteta, a small village in the Empordà region from June to September.

The exhibition, conceived in two chapters, brings together artists from three different generations. The proposal begins with a concept from the Empordà Parar la fresca (to take in fresh air) described by Josep Pla in the book Las Horas (The Hours), 1953.

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The democracy of the symbol and other stories

Madrid
Jan 16 - Apr 05, 2016

The exhibition proposes interpretations and reconstructions of situations that transcend, in an illusory manner, the physicality of the works while underlining their fictional and narrative experience.

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Lost Garden

Madrid
May 25 - Jul 27, 2013

Lost Garden is an exhibition that turns the gallery space into a container of multiple landscapes, reflections, and presences.

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Miniature models of larger projects

Barcelona
Nov 20 - Jan 17, 2009

This exhibition is articulated around a selection of Erlich’s maquettes, which reproduce the artist’s architectural installations to the minutest detail, coinciding with his exhibition in the Museo Nacional Centro de Arte Reina Sofia, Madrid.

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El consultorio del psicoanalista

Barcelona
May 26 - Jul 27, 2005

Nogueras Blanchard presents the latest work of Leandro Erlich (Buenos Aires, 1973). His new installation Psychoanalyst’s office (2005) breaks into the architecture of the gallery transforming radically your perception of reality.

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Receive information on available works by Leandro Erlich
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